Fluttershy

Character

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Fluttershy is a yellow pegasus with a long, pink mane, based on the "G1" earth pony Posey. True to her name, she is "defined by her shy sweetness; soft, whispery voice; and tender, nurturing nature," as described by author Begin. She possesses a unique affinity for animals that allows her to understand and communicate with them. She lives in a secluded meadow cottage in Ponyville, where she cares for multiple woodland creatures such as her "conniving and willful" pet rabbit Angel Bunny. In many episodes, Fluttershy exhibits a more authoritative personality that emerges whenever a friend or animal is harmed in some way, in contrast to her normally fearful and submissive self. Her most prominent ability is known as "the Stare", where any creature that meets her gaze becomes "powerless and moved to meekness" while it is in effect. Faust enjoyed writing for Fluttershy the most out of the show's characters due to her "relatable" struggles with fear, which Faust says brings potential "not just for great storytelling but [also for] great filmmaking."

Subject ID: 64982

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Fluttershy is a yellow pegasus with a long, pink mane, based on the "G1" earth pony Posey. True to her name, she is "defined by her shy sweetness; soft, whispery voice; and tender, nurturing nature," as described by author Begin. She possesses a unique affinity for animals that allows her to understand and communicate with them. She lives in a secluded meadow cottage in Ponyville, where she cares for multiple woodland creatures such as her "conniving and willful" pet rabbit Angel Bunny. In many episodes, Fluttershy exhibits a more authoritative personality that emerges whenever a friend or animal is harmed in some way, in contrast to her normally fearful and submissive self. Her most prominent ability is known as "the Stare", where any creature that meets her gaze becomes "powerless and moved to meekness" while it is in effect. Faust enjoyed writing for Fluttershy the most out of the show's characters due to her "relatable" struggles with fear, which Faust says brings potential "not just for great storytelling but [also for] great filmmaking."

Subject ID: 64982

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Subject ID: 64982